Download Corner Fonts by FontForum

Download Corner Fonts by FontForum

A unique kind of type by Michael Herold: The 14 cuts of Corner are equally distributed to the two style variants A and B.

From Thin to Extra Bold, variant A comes with technical and pure forms while B appears with a soft, more personal character.

In combination, the two variants add up to a highly versatile family which is very well suited for branding purposes, thanks to its diverse forms of expression.

More Eine besondere Schriftfamilie von Michael Herold: Die 14 Schnitte der Corner sind auf die beiden Stilvarianten A und B verteilt.

Von Thin bis Extra Bold kommt die Corner im Stil A mit technischen, reinen Formen und im Stil B mit weichem, persönlicherem Charakter.

Als Kombination ergibt sich eine sehr vielfältige Familie, die sich mit ihren verschiedenen Ausdrucksformen besonders fürs Branding eignet.

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Download Quarterpound Fonts by CaputMortuum

Download Quarterpound Fonts by Caput Mortuum

Quarterpound is loosely inspired by fonts used in Remmington typewriters. It has proportional design to create a more unique feel and improve its readability. It was created to fill a gap between edgy monospaced fonts and grungy typewriter imitations.

Its meant to look credible in print and digital screens.

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Download Lux Fonts by FontForum

Download Lux Fonts by FontForum

Many times, when a new creative process is starting, it is triggered by an everyday action or item.

In this case, the looks of a ladys watch inspired Michael Herold to create his new typeface LUX.

The sight of the chronograph sparked associations of the 1950s in Mr. Herold: While this decade was predominantly dominated by brush and feather scripts, there was also a bloom of strict and modern architecture.

This special mix of strength and retro style is exactly what Michael Herold is trying to capture in his LUX.

The result is a typeface which is perfectly suitable for use on book covers, posters and claims thanks to its striking impression.

The name LUX, Latin for light, is inspired by the high bright-dark contrast within the individual characters.

More Oft sind es alltägliche Gegenstände, die das Bestreben eines neuen kreativen Prozesses auslösen.

So entspringt auch die Inspiration zur Erschaffung der LUX von Michael Herold dem Anblick einer Damenuhr.

Der Chronograph löste bei Herrn Herold Assoziationen zu den 1950er Jahren aus: Während diese Zeit hauptsächlich von Schreibschriften aus Federn und Pinseln beherrscht wurde, nahm auch die streng und modern anmutende Architektur starken Einfluss auf die Epoche.

Diese Mischung aus Strenge und 50er Jahre Retro-Stil soll in der LUX zum Ausdruck kommen.

Das Ergebnis ist eine Schrift, die sich mit ihrer plakativen Wirkung perfekt für Buchumschläge, Poster und Claims eignet.

Namensgebend war der starke hell-dunkel Kontrast innerhalb der Schrift festgehalten in dem lateinischen Wort für Licht.

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Download NoraSlab Fonts by VelveleDesignCommunity

Download Nora Slab Fonts by Velvele Design Community

Nora Slab blends a geometric inspiration with warm humanist elements, making it the perfect choice for when you need a fresh, contemporary slab serif typeface.

The companion Nora Grotesque makes the Nora family a real workhorse for any use, including web, digital, print, branding and signage.

Nora Slab has a large x-height and open counterforms, making it easily readable.

It supports multiple languages: Central and Eastern European as well as Western European languages.

It has eight weights with related obliques.

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Download Costanera Fonts by WFoundry

Download Costanera Fonts by W Foundry

Costanera is a neohumanist typeface with both soft strokes and endings, which is inspired by 90s typefaces.

It has an organic aspect and curved finials associated to the early calligraphy, while its straight angles give Costanera a technological and futuristic impression.

Costanera weights go from thin to black, thus it can be used in short-impact phrases ideally using Black or Thin weight and extensive texts selecting the Book version.

More On the other hand, due to its calligraphic-futuristic features Costanera is perfectly suitable for different fields, such as vanguard technology, architecture, and signage topics.

This typeface is composed of a Normal and Alternative version, adding 32 weights in total.

Stylistic sets, small caps, ligatures, lining and old style numbers, fractions, circle numbers and arrows are part of the Opentype features.

Moreover, this project comes with 790 glyphs that allows to write in 219 languages.

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Download SaturdayNight Fonts by Aiyari

Download Saturday Night Fonts by Aiyari

Introducing a new retro font family called Saturday Night. Embracing the 70 and 80s disco music. Saturday Night comes with 7 fonts family with special features such as stylistic alternates, swash, and ligatures.

(P.S. Saturday Night Interlock contains 777 pair of ligatures!!) Saturday Night Font Family is best used for headings, logo type, quotes, apparel design, invitations, flyers, posters, greeting cards, product packaging, book covers, printed quotes, cover albums, movies, etc

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Download Monotalic Fonts by Kostic

Download Monotalic Fonts by Kostic

Monotalic was created as a fun experiment, exploring better solutions for the monospaced type design.

Most monospaced (fixed-width) typefaces have the same main design problem regarding the lowercase filling the empty space around l, f, i, j and r.

That usually brings the addition of slab serifs to those narrow characters, causing many monospaced fonts to look and feel alike.

Monotalic solves that problem by adopting the handwritten (or cursive) form for those problematic characters, which allows them to be defined in more strokes, thus getting a better distribution of form in that fixed-width space.

On the other hand, cursive writing usually lacks the legibility of a Roman (Regular upright) style, so Monotalic was created to be a hybrid, taking the best of both worlds.

More Monospaced fonts today are mostly used for coding. Modern code editors use colored text in order to differentiate between different kinds of code.

So, in that environment theres actually no need for traditional text styling by adding Italics, Bold or other styles, because the code lines are overstated as it is.

That is why Monotalic focuses on one style only, in three widths and four weights.

The weights allow users to choose the perfect contrast of text on screen, depending on their monitor resolution and background color in the editor.

Movie scripts are almost exclusively set in 12pt Courier. It became the industry standard because when set in the specific screenplay format" it helps with the breakdown of the schedule and budgeting process of the film production.

Although it looks completely different, text set in Monotalic (Normal width) will take the same amount of space as Courier.

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