Wednesday, October 10, 2018

Download M XiangHe Hei SC Std Font Family From Monotype

Download M XiangHe Hei SC Std Font Family From Monotype
Download M XiangHe Hei SC Std Font Family From Monotype Download M XiangHe Hei SC Std Font Family From Monotype Download M XiangHe Hei SC Std Font Family From Monotype



The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years.



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Download Seol Sans® Font Family From Monotype

Download Seol Sans® Font Family From Monotype
Download Seol Sans® Font Family From Monotype Download Seol Sans® Font Family From Monotype Download Seol Sans® Font Family From Monotype



The Seol Sans design offers a fresh palette for designers working with the Korean alphabet, particularly those looking to pair Latin and Korean alphabet (or Hangul) forms without creating typographic friction. The choices for Hangul fonts that work well with humanist Latin typefaces are limited. As Monotype’s first original Korean design, the Seol Sans typeface is a humanist take on the traditional rigid and hard designs of Hangul characters.

The Seol Sans design more closely resembles the natural curve of hand-written characters. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and M XiangHe Hei (Chinese). Seol Sans is a great choice for global brands using a Sans Serif design looking to maintain their visual identity, and communicate with a consistent tone of voice in the Korean market.



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Download Neue Frutiger® World Font Family From Monotype

Download Neue Frutiger® World Font Family From Monotype
Download Neue Frutiger® World Font Family From Monotype Download Neue Frutiger® World Font Family From Monotype Download Neue Frutiger® World Font Family From Monotype



Neue Frutiger World is designed for global use with an impressive range of 10 weights, from Ultra Light to Extra Black, with matching italics. It embodies the same warmth and clarity as Adrian Frutiger’s original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. Neue Frutiger World supports more than 150 languages and scripts including Latin, Greek, Cyrillic, Georgian, Armenian, Hebrew, Arabic, Thai and Vietnamese.



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Tuesday, October 9, 2018

Download Dillan Font Family From TypeUnion

Download Dillan Font Family From TypeUnion
Download Dillan Font Family From TypeUnion Download Dillan Font Family From TypeUnion Download Dillan Font Family From TypeUnion



Dillan is an 18 style sans family with an edge. It’s angled ascenders add movement and a unique appearance, whilst its flatter terminal angles gives a more fluid connection to partnering letters. The angles give the font a contemporary feel and the higher x-height give it great readability at smaller sizes.

The font is made up of 9 weights and it’s matching italics and includes some nice features such as stylistic alternates, extensive European language support, case sensitive characters, ligatures and much more.



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Download Caldina Font Family From Artegra

Download Caldina Font Family From Artegra
Download Caldina Font Family From Artegra Download Caldina Font Family From Artegra Download Caldina Font Family From Artegra



Caldina is a delicious typeface family that adds a great taste to any given project. From light to bold, it comes with 10 fonts with matching true italics. Each font contains 659 glyphs which offers a great amount of language support including the Greek, Russian and other languages using the Cyrillic alphabet. Each glyph has been designed to perfection and kerned with countless amount of kerning pairs.
When it comes to Opentype features it has oldstyle figures, tabular lining, tabular oldstyle, ligatures, subscript and superscript, fractions and language localizations (such as the Polish kreska).
It’s great for display purposes but also its high legibility makes it a great text font as well. Although not limited to, it’s perfect for food, beverage and coffee brands as well as the cos- metic brands. Let it be branding, advertising, packaging or posters, Caldina is there to add that special flavor that you’re looking for.



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Download Body Font Family From Zetafonts

Download Body Font Family From Zetafonts
Download Body Font Family From Zetafonts Download Body Font Family From Zetafonts Download Body Font Family From Zetafonts



Body is a type family designed for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli. Conceived as a contemporary alternative to modernist superfamilies like Univers or Helvetica, Body tries to maximize text readability while providing a wide range of options for the designer. It comes in two variants (Body Text and Body Grotesque), each in four widths and four weights: regular and bold for basic typesetting, light and extrabold for display use.

Body Grotesque applies to the sans serif modernist skeleton little imperfections and quirks inspired by our research in early 20th century type specimens. Curves are slightly more calligraphic and a light inverse contrast is applied to bold weights, giving the typeface a slight vintage appearance in display use.



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Download Constant Font Family From Underscore

Download Constant Font Family From Underscore
Download Constant Font Family From Underscore Download Constant Font Family From Underscore Download Constant Font Family From Underscore



Constant is a meticulously constructed slab serif display typeface of a sturdy lineage. The strong horizontal and vertical rhythm and calculated angles dominate its appearance, yet sweeping broad shapes infuse the design with an overall warm undertone.

Constant is best suited for setting short headlines, word marks, posters and other visual communication ephemera. Particular when set in all uppercase the typeface’s squarish and resolute nature commands attention and projects authority. Despite the prominent slab serifs and their angular corner details, these fonts work well also for shorter text passages, especially in the lighter to medium weights. When typesetting Constant in paragraphs spanning several lines the face requires a fair amount of leading to not appear vertically compressed.



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