Harpagan is an experimental type family characterized by scalable construction from mono linear grotesk to display bold. I’ve designed this typeface after my trip to Kyrgyzstan, Ubzbekistan and Kazachstan, where i’ve been impressed by the impact of arabic script in Asian style Cyrillics. The Harpagan type Family consist of 5 futuristic styles.
Blackest is an inverse contrast wedge serif typeface family, designed by Francesco Canovaro and Andrea Tartarelli as a development of the Blacker typeface designed by Cosimo Lorenzo Pancini. The classical skeleton and sharp edges of the original have been kept while bringing the contrast of the typeface in the realm of the so called “italian” or reverse-contrast typefaces. The result is a typeface family that manages to be quirky but classical, and playful without losing elegance. With its exuberance and six weights of eye-catching proportions, Blackest is perfect for display use: editorial & magazine design, poster design and logo development - but to allow its usage as a for typesetting of longer texts a text variant in two weights has been developed, with less contrast, looser spacing, and high readability. Blackest features an extended character set that covers over 220 languages using the Latin alphabet, as well as Russian Cyrillic. Open type features include small caps, positional figures, alternate letter forms, stylistic sets, arrows and extra punctuation and discretionary ligatures.
Designed by María Ramos and Jordi Embodas, Nomada Didone exhibits a more pronounced contrast than Nomada Serif, with vertical stress and finer hairlines. The contrast amount is not too extreme, though. It’s robust enough to be used confidently also for smaller text sizes, on screen, and in negative settings. The ball terminals add to its posh demeanor – a feature that is particularly noticeable in the gracile Hairline.
At the other end, another exquisite titling typeface: Nomada Didone Extrablack channels the Fat Faces of the 19th century, with adjusted vertical proportions for contemporary use. The medium weights make for a dapper text face that combines clarity and sophistication.
Say hi to new member of Typoforge zoo! Gambero family consists of 18 styles (including italics) with a subtle rounded finished details. Gambero is a stable, slab cousin of Kapra, Kapra Neue adn Kapra Neue Pro. It is ideally suited for advertising, editorial and publishing, offering new design potential.
Font Gambero is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW “Prasa” that appeared from May 1960 till December 1973 in Poland.
Wild Bloom is a whimsical, joy-provoking, soul-comforting COLOR FONT suitable for any project that requires putting smiles on faces. It is perfect for your social media posts, logos, stationery, children’s books, packaging design, typographic posters ... the list goes on. You can expand the font’s existing color palette and pick your own; it also comes with alternate characters to improve your experience. A specially designed black and white version of the font is included with full OpenType support covering Latin languages.
Wild Bloom is a collaborative typeface based on the lettering of Juliana Pedemonte and produced by Ale Paul.
Package:
Wild Bloom comes in file with a pre-defined color palette. You can always change the colors converting the text to outlines.
Technical info to use:
The package contains a normal TTF/OTF font in Black and White and a colorfont in SVG-TTF format. To be able to use the color file you need to have installed Adobe Photoshop CC2017 or Adobe Illustrator CC2018. Not all the browsers support color fonts so please be sure to use them as graphics.
Antebas is a smooth casual handwriting typeface.
Created using a liquid pen so that the thickness of each letter looks different.
Antebas includes several stylistic features and many ligature features to make it look totally hand-done and contains alternates for each letter.
Inspired by the signage of one of the greatest theme park rides in the world (you know, the one with the song that you can't really get out of your head), The Happiest Cruise in Anaheim is sure to bring your small world of fonts closer. Whether a world of wonder or a world of cheer, the playful, quirky and childlike joy of the curves and lines will hopefully set your work on a journey through imagination!
