Aliyana script - a new fresh handmade calligraphy font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!
Aliyana script - includes many alternative characters.Is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book. Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor. For folks who have opentype capable software : The alternates are accessible by turning on "Stylistic Alternates" and "Ligatures" buttons on in Photoshop's Character panel, or via any software with a glyphs panel, e.g. Adobe Illustrator, Photoshop CC, Inkscape.
Saturday, August 17, 2019
Download Intern Sans Font Family From Sömestr Studio
Intern Sans is a linear geometric sans serif, a curious combination of simple shapes with a raw character. This typeface is carefully constructed to create the very basic forms of letters and was developed with minimal optical corrections to maintain the blunt and playful character.
Letters get their dynamic proportions and huge x-height from construction of 5x5 grid of squares, inspired by sketches on a checkered notebook. This results in a unique geometric typeface with a powerful appearance.
Intern Sans's layered variant, Intern Color uses the same construction and reveals the parts. It allows users to play with different color variations for a striking result.
8 Styles: Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, Bold, Bold Italic
Alternate characters: a, o, M
Extended language support
Labels:
advertising,
art,
art deco,
avant garde,
basic,
blunt
Download Intern Color Font Family From Sömestr Studio
Intern Sans's layered variant Intern Color uses the same construction and reveals the parts. It allows users to play with different color variations for a striking result.
Intern is a linear geometric sans serif family, a curious combination of simple shapes with a raw character. Typefaces are carefully constructed to create the very basic forms of letters and developed with minimal optical corrections to maintain the blunt and playful character.
Letters get their dynamic proportions and huge x-height from construction of 5x5 grid of squares, inspired by sketches on a checkered notebook. This results a unique geometric typeface with a powerful appearance.
Download Schism Two Font Family From Alias
Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting progressively heavier from Schism One to Schism Three. The different versions explore how this change in contrast between thick and thin strokes changes the character of the letterforms. The shape is maintained, but the emphasis shifts from rounded to angular, elegant to incised.
Schism One has high contrast, and the same weight of thin stroke from Light to Black. Letter endings are at horizontal or vertical, giving a pinched, constricted shape for characters such as a, c, e and s. The h, m, n and u have a sharp connection between curve and vertical, and are high shouldered, giving a slightly square shape. The r and y have a thick stress at their horizontal endings, which makes them impactful and striking at bolder weights. Though derived from an elegant, classic form, Schism feels austere rather than flowery. It doesn’t have the flourishes of other modulated sans typefaces, its aesthetic more a kind of graphic-tinged utility.
While in Schism Two and Three the thin stroke gets progressively heavier, the connections between vertical and curves — in a, b, n etc — remain cut to an incised point throughout. The effect is that Schism looks chiselled and textural across all weights. Forms maintain a clear, defined shape even in Bold and Black, and don’t have the bloated, wide and heavy appearance heavy weights can have.
The change in the thickness of the thin stroke in different versions of the same weight of a typeface is called grading. This is often used when the types are to used in problematic print surfaces such as newsprint, or at small sizes — where thin strokes might bleed, and counters fill in and lose clarity, or detail might be lost or be too thin to register. The different gradings are incremental and can be quite subtle. In Schism it is extreme, and used as a design device, giving three connected but separate styles, from Sans-Didot to almost-Grotesk.
The name Schism suggests the differences in shape and style in Schism One, Two and Three. Three styles with distinct differences, from the same start point.
Download Cloudbuster Font Family From K-Type
Cloudbuster is K-Type’s take on the mid twentieth century style of extra condensed slabs/moderns inspired by Imre Reiner’s Corvinus Skyline of 1934.
Unusually, Cloudbuster has a printed-look softness, courtesy of very slightly rounded corners throughout, so it looks a little less harsh than similar typefaces. The font is an imposing display face with elegant, unfussy letterforms and a generous x-height.
Download James Black Font Family From Motokiwo
Download Red Blues Script Font Family From Lucky Type
Red Blues is a new modern brush font with an irregular baseline. A contemporary approach to design, handmade natural, suitable for use in title design such as clothing, invitations, book titles, stationery designs, quotes, branding, logos, greeting cards, T-shirts, packaging designs, posters, and more.
Complete with uppercase and lowercase letters, as well as multi-language support, numbers, punctuation. Red Blues also provide some ligatures and swash.
Fonts Included :
Multilingual Support
Stylistic Alternate
Standar Ligature
Thanks so much for looking and please let me know if you have any questions.
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