Monday, July 30, 2018
Download Samaritan Tall Lower Fonts by Comicraft
Fifteen hundred years from now, a man will be selected to go back in time to prevent a catastrophic event which turned his world into a dystopia.
Sent back in time, he was enveloped in empyrean fire, the strands of energy that make up time itself.
Crash-landing near Astro City in late 1985, he learned how to master and channel the empyrean forces that had suffused his body -- finally learning to control his powers in time to prevent the destruction of the Space Shuttle Challenger, the event he had been sent to avert.
He described himself to journalists as nothing more than a Good Samaritan, and has continued to help his fellow man in Astro City ever since.
More John JG Roshell has also been struggling with the empyrean challenge of fitting all of Kurt Busieks ASTRO CITY dialogue into balloons with the regular Samaritan font, so he created the Samaritan Tall font to help his fellow comic book letterers! Its kinda the same thing, really.
Sent back in time, he was enveloped in empyrean fire, the strands of energy that make up time itself.
Crash-landing near Astro City in late 1985, he learned how to master and channel the empyrean forces that had suffused his body -- finally learning to control his powers in time to prevent the destruction of the Space Shuttle Challenger, the event he had been sent to avert.
He described himself to journalists as nothing more than a Good Samaritan, and has continued to help his fellow man in Astro City ever since.
More John JG Roshell has also been struggling with the empyrean challenge of fitting all of Kurt Busieks ASTRO CITY dialogue into balloons with the regular Samaritan font, so he created the Samaritan Tall font to help his fellow comic book letterers! Its kinda the same thing, really.
Saturday, July 28, 2018
Download Walbaum Fonts by Monotype
First designed in the early 1800s, Walbaum never achieved the audience or acclaim it deserved despite its easy elegance, and sophisticated persona.
Its been fully restored for this expansive family, which includes 32 weights including ornaments and two decorative cuts.
More Walbaum offers the kind of warmth thats missing from comparable typefaces such as Bodoni or Didot, feeling effortlessly approachable and legible.
Monotype team Carl Crossgrove, Charles Nix and Juan Villanueva have adhered to designer Justus Erich Walbaums original intentions, also incorporating work by the designers son into some of its more extreme display weights pushing the possibilities of Walbaum without compromising on its spirit.
Text weights work well for the demands of digital environments, while decorative and display weights offer more dramatic, sculptural forms.
Unusually, the family also includes a generous range of ornaments. From massive billboards, to micro-type on e-readers, Walbaum has it covered. The family is available as OpenType OTF font format, and includes over 600 glyphs with OpenType typographic features including small capitals, old style and lining figures, proportional and tabular figures, fractions and ligatures.
A user guide is available in PDF format from the gallery view. It gives an overview of the optical sizing available and provides a keyboard guide for the ornaments.
Its been fully restored for this expansive family, which includes 32 weights including ornaments and two decorative cuts.
More Walbaum offers the kind of warmth thats missing from comparable typefaces such as Bodoni or Didot, feeling effortlessly approachable and legible.
Monotype team Carl Crossgrove, Charles Nix and Juan Villanueva have adhered to designer Justus Erich Walbaums original intentions, also incorporating work by the designers son into some of its more extreme display weights pushing the possibilities of Walbaum without compromising on its spirit.
Text weights work well for the demands of digital environments, while decorative and display weights offer more dramatic, sculptural forms.
Unusually, the family also includes a generous range of ornaments. From massive billboards, to micro-type on e-readers, Walbaum has it covered. The family is available as OpenType OTF font format, and includes over 600 glyphs with OpenType typographic features including small capitals, old style and lining figures, proportional and tabular figures, fractions and ligatures.
A user guide is available in PDF format from the gallery view. It gives an overview of the optical sizing available and provides a keyboard guide for the ornaments.
Download TT Smalls Fonts by TypeType
Useful links: TT Smalls PDF Type Specimen TT Smalls graphic presentation at Behance TT Smalls is a geometric sans serif created for use in video clips and for video production.
The main feature of the font family is the big difference between the uppercase and lowercase characters, in which we intentionally diminish the x-height.
At the same time, in order for signs to be readable and balanced, the font uses pronounced visual compensators and a large letter spacing.
More In the typeface there is a decorative set of alternative characters that covers the uppercase Latin alphabet, uppercase Cyrillic alphabet, and standard figures.
As the thickness of the strokes decreases, the number of layer lines in the design of the letter decreases.
For example, in the Black weight, the design in an alternative decorative set consists of 4 layers-lines, and in Thin already only of one line.
In order to simplify the access to this special set, we have programmed it for the SMCP (small caps) feature.
You just need to turn it on. Especially for video production we have prepared a set of particular catchwords that are included in each font, and whose height corresponds to the x-height of the lowercase sign.
For catchwords output, you need to type a special combination of characters. For example, to get the AKA catchword, you need to type one of the following combinations: a+k+a, or A+K+A, or a_k_a, or A_K_A.
Using any of these combinations will make the catchword appear. It is important to note that for successful use of catchwords, the feature calt (contextual alternates) must be permanently turned on.
The TT Smalls font family consists of 18 fonts: 9 weights and 9 italics.
The family has a set of stylistic alternatives, which make the typeface a bit more humanist when turned on.
TT Smalls features 16 ligatures, including several Cyrillic, old-style figures, a set of navigational arrows.
In addition, TT Smalls supports a large number of other useful OpenType features such as case, ordn, sups, sinf, dnom, numr, onum, tnum, pnum, calt, frac.
The main feature of the font family is the big difference between the uppercase and lowercase characters, in which we intentionally diminish the x-height.
At the same time, in order for signs to be readable and balanced, the font uses pronounced visual compensators and a large letter spacing.
More In the typeface there is a decorative set of alternative characters that covers the uppercase Latin alphabet, uppercase Cyrillic alphabet, and standard figures.
As the thickness of the strokes decreases, the number of layer lines in the design of the letter decreases.
For example, in the Black weight, the design in an alternative decorative set consists of 4 layers-lines, and in Thin already only of one line.
In order to simplify the access to this special set, we have programmed it for the SMCP (small caps) feature.
You just need to turn it on. Especially for video production we have prepared a set of particular catchwords that are included in each font, and whose height corresponds to the x-height of the lowercase sign.
For catchwords output, you need to type a special combination of characters. For example, to get the AKA catchword, you need to type one of the following combinations: a+k+a, or A+K+A, or a_k_a, or A_K_A.
Using any of these combinations will make the catchword appear. It is important to note that for successful use of catchwords, the feature calt (contextual alternates) must be permanently turned on.
The TT Smalls font family consists of 18 fonts: 9 weights and 9 italics.
The family has a set of stylistic alternatives, which make the typeface a bit more humanist when turned on.
TT Smalls features 16 ligatures, including several Cyrillic, old-style figures, a set of navigational arrows.
In addition, TT Smalls supports a large number of other useful OpenType features such as case, ordn, sups, sinf, dnom, numr, onum, tnum, pnum, calt, frac.
Download Anteb Fonts by Typesketchbook
Anteb font family is one of those large and useful families that you really cant miss if you are looking for typeface combining originality and legibility.
Anteb is one of these a sans serif with modern look designed very smart with rounded corners.
It is developed in 10 separate weights ranging from Thin to ExtraBlack, each coming with Alternate version, which is well suited for a variety of typographic applications such as headlines and small texts.
The Anteb font family supports multiple languages and is available as both webfont and desktop font.
Anteb is one of these a sans serif with modern look designed very smart with rounded corners.
It is developed in 10 separate weights ranging from Thin to ExtraBlack, each coming with Alternate version, which is well suited for a variety of typographic applications such as headlines and small texts.
The Anteb font family supports multiple languages and is available as both webfont and desktop font.
Download Fineday Fonts by Mika Melvas
Fineday is a clean and lining brush script. It is available with two different styles of uppercases: Style One and Style Two. Style One is swashy and decorative. Style Two is more plain and straightforward. Fineday is also available with connecting and non-connecting lowercases. All the Fineday versions have fancy alternate characters like ending swashes, tales and swashy ascenders.
The family has an extended character set supporting most Central European and Eastern European languages.
The family has an extended character set supporting most Central European and Eastern European languages.
Download Karlie Fonts by DearType
Karlie is a neat combination of a friendly script and a modern all-caps serif in five widths.
The font family is extremely versatile and is perfect for high-end logotypes and magazine headlines, let alone greeting cards, invitations, posters, book covers, ads and the various web and screen usages.
The combination of two different font styles (script and serif) also performs very well on product packaging.
As for the technical side, the Karlie family has extensive language support and includes a handful of ligatures, stylistic sets and swashes that add visual interest to every letter.
We've also included some extras with ready-made words and symbols for more design freedom.
More The Karlie Font Family in a nutshell: - Karlie - a dancing baseline script with connecting letters - Karlie Alt - similar feel to Karlie, but with disconnected letters - Karlie Serif - a set of five serifs with different widths for a different impact - Karlie Extras - a set of additional designs that will add up to the familys charm.
The overall feel of the family is a combination of casual and sophisticated, thus making it perfect for modern-day applications.
The font family is extremely versatile and is perfect for high-end logotypes and magazine headlines, let alone greeting cards, invitations, posters, book covers, ads and the various web and screen usages.
The combination of two different font styles (script and serif) also performs very well on product packaging.
As for the technical side, the Karlie family has extensive language support and includes a handful of ligatures, stylistic sets and swashes that add visual interest to every letter.
We've also included some extras with ready-made words and symbols for more design freedom.
More The Karlie Font Family in a nutshell: - Karlie - a dancing baseline script with connecting letters - Karlie Alt - similar feel to Karlie, but with disconnected letters - Karlie Serif - a set of five serifs with different widths for a different impact - Karlie Extras - a set of additional designs that will add up to the familys charm.
The overall feel of the family is a combination of casual and sophisticated, thus making it perfect for modern-day applications.
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