FS Silas an enigmatic typeface.
There is a squareness of the round forms, with dynamically angled terminals and slabs. The Thins appear elegant and the ExtraBolds powerful, while the Italics have a certain natural enthusiasm. The resulting character is versatile, skillful and well-equipped to handle the range of tasks required. At once cool, calm and authoritative. On closer inspection, more nuanced and expressive. Simultaneously revealing and intriguing.
Eurobia is a family of two typefaces - Regular and Plain. They are display faces with a strongly European feel and a strong flavour of the 1920s. My suggestion would be to use them for poster or banner work, or packaging or cover design, with the heading text set in Eurasia Regular and subsidiary text set in Eurobia plain. Why not give that European flavour to your next project?
We see Eurobia as a fun typeface, for advertising products like confectionery or concerts. We had a lot of fun designing it and hope you'll like it too!
Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine the words Salaam and Shalom to the font family name.
Salom’s sibling, Salom Sans, features the same letter proportions and therefore allows a rich spectrum of diverse typography, yet keeping the harmony between all styles. The sans has an additional light weight, while the serif comes with an expressive stencil style.
Singel is a neoclassical serif with semi-condensed proportions. As a contemporary interpretation, this typeface combines the rationalist modulated stroke with an elegant silhouette and crisp serifs. The altogether splendid appearance of Singel, completed with a full set of Small Capitals and true form of italics makes it perfect for any luxurious and graceful design. Other aspects of its characteristics include the consistency of 10 styles from Light to Bold; a coverage of Extended Latin and Cyrillic with span for more than 130 languages; a flawless functionality and support of many OpenType features, such as localizations, tabular numerals, inferiors and superiors, numerators & denominators, fractions, case sensitivity etc.
Features:
• Over 900 glyphs in 10 styles (Light to Bold);
• Extended Latin and Cyrillic for more than 130 languages;
• Tall x-height and Semi-Condensed proportions;
• High contrast and modulated stroke with vertical stress;
• Neoclassical characteristics and moderate apertures;
• Full set of Small Capitals;
• True form of italics;
• Coverage of multiple OpenType features;
• Suitable for wide design purposes.
