Descent is a unique, graffiti style, layered type system consisting of a base fill style & an outline style. Based on a signature category of wildstyles by Graffiti Fonts® lead designer Raseone, this family was designed to be rotated 90 degrees clockwise so that the text reads in a downward direction. OpenType scripting enables up to 12 unique variants of any word using alternating patterns of interlocking glyphs.
I was listening to an old Van Halen album when I made this font. I named it after one of my favorites: ‘Ice Cream Man’.
Ice Cream Man is a happy, sloppy, wobbly kids font. Use it for your book covers, posters and ice cream packaging!
Aksara is a sans serif font with a geometric touch. Aksara is not purely geometric, proportions have been designed so that all characters can look harmonious and have better readability.
Aksara comes with five types of weights including Italic style, bringing a total of ten styles and has been supported in various languages.
Bold and compact, Stamina is a solid, sporty, font that punches beyond its weight. Ideal for product logos, headlines and signage, it has both power and panache!
Hello! Introducing a vintage style font “Bootleggers”. It’s made of strong straight lines with tiny and accurate accent lines. It has a wide spectrum of languages support, including West European, Cyrillic languages etc. There are also a separate font files for two font layers, for easy combining the styles.
A truly faithful ally for every designer looking for fresh yet familiar and reliable font choice. Geller was created as a part of graduation project in Typowa Pracownia at Academy of Fine Arts in Warsaw. It is a typeface family intended for newspaper, editorial usage.
Geller family comes in two optical sizes - headline and text, it is a complete solution for editorial purposes. During design process the technical needs of certain typographic fractions were examined. The capital letters were designed with certain purpose: it’s modern proportions (derived from Didone fonts) with optimised inner lights as well as short ascenders and descenders work very well within titles and leads. Except of wide range of opentype features, Geller contains bullets & dingbats providing many possibilities in introduction of entry points in editorial design. Compact diacritics, proportionally tall x-height, narrow letter construction, all this designed features make typesetting of narrow text columns and spreads economical.
