Mukadua consists of two fonts: serif and script. Mukadua means "two-face", and so it can be used in a happy and fun concept, but still looks great in dark, horror, or scary concepts! The main font is a serif font type with unique bouncing baseline, includes upper and lowercase characters, punctuation, numerals, and multilingual support. It also has OpenType features like stylistic alternates and ligatures.
Made you look? There’s a peculiar feel to the letters – achieved by the reversed contrast. Perfectly legible yet there’s something about the characters that makes them stand out. As Viktor Shklovsky once coined, ”Habitualization devours objects” – the everyday world becomes invisible until we are forced to see it otherwise.
The Portland font family is a tool of choice when you want to effortlessly make your designs stand out.
This whimsical font family is a hand-crafted, youthful sans-serif font with three weights and two cute sister fonts...a shadow version and a "showy" version with curls and flourishes.
This is the “Starslang Phat” font, which is similar to the original "Starslang" font featuring starring vowels. The evolved font design has a heavier weighted text body and rounded contours. The result is a font that has a warm, natural, and curvy feel; with a fun urban impression.
Kamber is a playful and approachable, neo-grotesque sans-serif with a handful of humanist flourishes. Subtle convex terminals and a curved structure create it’s friendly personality and bouncy rhythm. If you're looking for a warm typeface that’s affable without straying into cliché, then Kamber is your new best friend – like the labrador of typefaces.
Kamber’s balanced yet quirky nature makes for a fun and interesting display face, without compromising on legibility at smaller sizes. The lowercase letters have an elevated x-height, sitting at around 70% of the cap height – this means running copy remains clear and readable.
Available in 8 weights, each with a corresponding italic, Kamber is a widely functional typeface that can hold it’s own, regardless of the use case. It includes all the usual open type features for further adaptation and variation, including small caps, ligatures, stylistic alternates and more. The primary numerals are lining figures, but tabular figures, old style figures, and a combination of both are also included.
If you're looking for something to stand out from the sea of overly geometric faces and soulless helvetica variants, then Kamber is ready and waiting. Perfect for editorial design, branding or anywhere you use text – Kamber is the typeface that smiles.
Ruutu is a square but queer font presenting odd faces. Supports multiple tongues.
This is a new font that I describe as a casual faux antique letterform. Great for many decorative and fun projects.
Based on sketches I made like 15 years ago on squared paper...this is a true grid (!) font! Great for something that needs that retrogame slash futuristic lazerbeam computer look!
I was listening to an old Van Halen album when I made this font. I named it after one of my favorites: ‘Ice Cream Man’.
Ice Cream Man is a happy, sloppy, wobbly kids font. Use it for your book covers, posters and ice cream packaging!
