A heavy serif font with a handmade feel, Walden gives a hearty impression.
Despite its rustic appearance, Walden is perfectly adaptable to contemporary use, wherever a bit more character is needed. Decidedly kept simple, these three weights with matching italics is all you need.
Voguer is an elegant high-contrast serif font inspired by the fashion glossy magazines typography.
It perfectly represents modern and vintage esthetics. The font includes special uppercase letters,
alternate characters and beautiful ligatures.
You may combine uppercase and smallcase in the text body, as you want.
The font is perfect for wedding elegant invitation cards, beauty and fashion package design.
Thank you and have a great day!
Walpurgis Night is an elegant majuscule vintage serif font inspired by classic antique fonts.
It perfectly represents modern and vintage esthetics. The font includes special uppercase letters,
many alternate characters and beautiful ligatures.
The font is perfect for wedding elegant invitation cards, beauty and fashion package design,
very suitable for books design, magazines typography, packaging, branding and more other creative project
It have supporting for many languages as: Czech, Danish and Norwegian, Deutsch, English,
Espanol, French, Italiano, Magyar, Nederlands, Polish, Portuguese, Finnish, Swedish, Turkish and other based on extended latin.
To enable the OpenType Stylistic alternates, you need a program that supports OpenType features
such as Adobe Illustrator, Indesign, Photoshop & CorelDraw X6-X7.
More information about how to access alternate glyphs, you can see it on this link (https://goo.gl/R1n7L8)
Thank you and have a great day!
Pilar and Ferran based Arlette on the fast stroke of one letter from a Roger Excoffon family, but along the way they abandoned that starting point in favour of experimentation. Many sans serifs are like a svelte black dress: functional, beautiful, and the unfussy outfit for a nice evening get together. The Arlette family isn’t like this. It’s a stunner — an incandescent reimagining of what defines a sans and how it can look.
Arlette explores the boundaries of the sans serif landscape and returns with forms developed from gestural vigour. Thinking of it as “painterly” may at first seem to fit, but it underestimates Arlette’s ability to master an unseen world of countless emotions and physical applications: magazines, branding, editorial, teen and young adult works, book covers, and a host of products and packaging whose content will be amplified with Arlette’s voice. Not only does Arlette use its eight weights plus italics to speak in Latin-based scripts, it is also fluent in Thai and has six weights (hairline through bold) with which it meets that challenge, whether in text or display.
Arlette Thai’s modern nature is seen in two features for the script. One is the decorative Thai characters that are based on original palm leaf manuscripts. Another is a version of the Latin numerals adapted to the height of the script due to their wide use in Thailand. Arlette Thai has been meticulously developed, including contextual kerning to avoid mark clashes.
Arlette’s OpenType capabilities include mathematic and scientific figures, positional forms, pointers, arrows, and oldstyle, lining, and tabular lining numerals. In addition to all this, it’s packed with swashes and swash ligatures in both scripts for enthusiastic typesetting. Because it pushes experimentation without compromising readability, both Arlette Thai and Latin are surprisingly legible in small sizes and arrestingly beautiful when their details can be seen.
