Made you look? There’s a peculiar feel to the letters – achieved by the reversed contrast. Perfectly legible yet there’s something about the characters that makes them stand out. As Viktor Shklovsky once coined, ”Habitualization devours objects” – the everyday world becomes invisible until we are forced to see it otherwise.
The Portland font family is a tool of choice when you want to effortlessly make your designs stand out.
Rolphie can be your go-to sans-serif, with 16 easy-to-read weights and 10 versions for each weight, and the subtlety of choice that represents. The versions contained in each weight are: Regular; Condensed; Half-Condensed; Expanded; Small Capitals: and their italic counterparts. (At heavier weights particularly it seemed to be justified to have two Condensed versions). Plus there's 20 funky versions with the letters all shook up (that would make a good title for a song), or jumbled around, plus some Shadow, Doubled-Up, College, and other FX versions.
In total there's 180 variations, giving a comprehensive selection of both standard and funky fonts, and that subtle degree of choice of weight. To make things easier, the weights are put in ascending numerical order from 01 to 16, and the FX versions have been stuck in the 80s and 90s, (like two musicians I know).
There are grouped packages available for certain weights (which have 10 fonts in them) and the complete family package (180 fonts) which represent better value than the individual fonts, and there's a basic package containing the Normal and Italic versions of all 16 weights (32 fonts). A limit of 5 sub-family packages has been imposed, unfortunately, which precludes a more comprehensive selection.
To let you know what's in the font that you might otherwise never know about . . .
With Discretionary Ligatures on, you get special characters if you type Mc St. Rd. Bd. Ave. c/o No. (p) (P) - include the full-stop/period.
With Stylistic Alternates switched on, you get plenty of extra characters - including a WiFi symbol (type Wifi or WiFi) / bullet numbers instead of ordinary numbers / that different U-dieresis / special characters for c/o No. Mc / an upside down ~ / a huge bullet, and different forms for cent, dollar, percent, per-thousand.
As you'd expect, there's all the accented characters for all Western European scripts using Latin letters, and standard ligatures, plus other Open Type features including Class Kerning, Slashed-Zero, Historical Forms, Sub- and Superscript numbers, fractions for halves, thirds and quarters, Ornamental forms giving bullet numbers, etc. There's also the main mathematical operators, symbols like card-suits and male/female signs and so on, and some more obscure stuff like schwa and O-horn, U-horn - and there's lots more if you can Access All Alternates. Much will depend on what your software recognises.
The Small Caps versions have (intentionally) lost the ligatures for lower case ff, fi, fj, fl, fr, fu, ffi, ffj, ffl, ffr, ffu.
The names for the weights are not absolute - we had to make up some names to make them stretch out to sixteen - so rather - see them as relative to each other, being in ascending numerical order by weight.
Introducing Ondfuturs, the script font I designed which is so neat, with the theme of a nuanced heart that was upset about the feeling from losing a memory. This created something new to keep moving forward with confidence. This font is inspired by a tale from antiquity to the future with many points of view.
Ondfuturs Script is a typeface thick, easy to read, and so comfortable to wear. You can use it as a logo, badge, insignia, packaging, headline, poster, t-shirt/apparel, greeting card, business card, and wedding invitation and more. The flowing characters are ideal to make an attractive messages to your taste.
With this font you can make various sentences that are quite unique and simple, mix and match with a bunch of alternative characters to fit your project. It will be more interesting if you add swash characters. These alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Ligature and Ligature Alternates.
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Thank you! Maculinc
Conamore is a new Humanist Sans family. It consists of 16 styles (8 weights and 8 italics).
The structure of the typeface is in a position that is neither too modern nor too classic.
It was based on humanist frame and style, but we controlled the shape and removed potential eyesores so it can be easily recognized by people.
These characteristics are suitable for the design requirements, such as editorial design, packaging, branding, and display.
Fancy Font Family is a font that I have been working on since 2012 and I have been trying to complete it for a long time. Thanks to its wide lines, you can use it easily in your paragraphs and poster designs.
In fact, the purpose of using a font is entirely related to your imagination and your originality. The Fancy Font Family adapts to any design format you need and does not let you down.
Oddee typeface is based on the dissimilarities in personal fashions and the contradictions sparked between two schoolmates, Adolf Loos and Josef Hoffmann, the first of whom is known for his belief in finding no place for the concept of ornamentation in architecture and functional design, while the latter proposes the ornamentation could find a place within design through not being a direct force but being a contributing part to a collective aesthetical value in everyday objects.
The design process followed traces of both approaches and opinions, and tried to find their formal counterparts in letter architecture.
